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Devonport Regional Gallery, Solo Commission
Bett Gallery, Hobart
Artist Statement
In my studio, there is a large table with a pile of ill-printed photographs; they have been drawn on, ripped up, some photocopied into black and white and drawn on again. They aren’t in chronological or geographical order. They are of places I've spent time in and are embedded with recollection and reverie, but now, in my studio, these images reworked, re-felt, and reimagined into collages, become something else. A portal into an imagined realm. Holding these little worlds in my hand, they seem tantalisingly real. And yet, they are also a passage through reality, time, and emotion. They offer clarity and an enigma. And so, I paint to elucidate a certain feeling or atmosphere - describing the space between becoming and dissolving, intimacy and distance, presence and absence. Recomposing familiar landscapes into descriptions of the slow transition of time, one moment to the next, overlapping and turning back on itself. The strange mixed—up continuum of life, an everchanging, incomplete collection of atmospheres.
Devonport Regional Gallery, Solo Commission
Bett Gallery, Hobart
Artist Statement
In my studio, there is a large table with a pile of ill-printed photographs; they have been drawn on, ripped up, some photocopied into black and white and drawn on again. They aren’t in chronological or geographical order. They are of places I've spent time in and are embedded with recollection and reverie, but now, in my studio, these images reworked, re-felt, and reimagined into collages, become something else. A portal into an imagined realm. Holding these little worlds in my hand, they seem tantalisingly real. And yet, they are also a passage through reality, time, and emotion. They offer clarity and an enigma. And so, I paint to elucidate a certain feeling or atmosphere - describing the space between becoming and dissolving, intimacy and distance, presence and absence. Recomposing familiar landscapes into descriptions of the slow transition of time, one moment to the next, overlapping and turning back on itself. The strange mixed—up continuum of life, an everchanging, incomplete collection of atmospheres.
A Passage of Light
oil on linen, triptych: 153 × 366 cm
Rise and Fall
oil on linen, diptych: 153 × 366 cm
Portal
oil on hand-beaten steel, 86 × 70 cm
*steel plate crafted by Gerhard Mausz
Dusk
oil on linen, 153 × 183 cm
Distance and Journey
oil on linen, 153 × 183 cm
Remembering
oil on board, 4 panels: 36 × 101 cm
Morning Watch
oil on board, triptych: 20 × 47 cm
Nightfall
oil on board, tripych: 20× 44 cm
Continuum
oil on board, 11 panels:36 × 240 cm
Meeting
oil on hand-beaten steel, 59 × 82 cm
*steel plate crafted by Gerhard Mausz
Atmospheres
oil on linen 102 × 153 cm
Interwine
oil on linen 103 × 153 cm
Crossing II
oil on hand-beaten steel, 14 × 22cm
*steel plate crafted by Gerhard Mausz
Crossing III
oil on hand-beaten steel, 12 × 17 cm
*steel plate crafted by Gerhard Mausz
Crossing I
oil on hand-beaten steel, 15 × 23 cm
*steel plate crafted by Gerhard Mausz
Feeling Strange
oil on board, diptych: 36 × 56 cm
Convergence
oil on hand-beaten steel, 27 × 43 cm
*steel plate crafted by Gerhard Mausz
Receding
oil on board, 5 panels: 36 × 107 cm